Helen Gifford
Helen Gifford OAM is an Australian composer whose music often draws on Balinese and Javanese elements. She writes for stage, orchestra, chamber ensemble and solo instruments.
For me, composition functions best as a form of speculative invention, where a flux of objective/subjective considerations interact to form sounds that are intuitively engineered. Mental strategies on their own are not sufficient but focusing on craft serves to unlock instinctual responses. Whatever the approach, intellectual effort, philosophy held, state of the art, it is unlikely to be comprehensively applied as from the instant of first decision to the continuing moment-by-moment choices other forces are unwittingly brought into play. Genetic disposition, psychic energy, habit and bias all combine to modify initial calculations and so override deliberate intent. Greater rational control may block these reactions but could also cancel out the inspirational subliminal coordinative thought processes. I find that the essence of compositional method lies in determining a balance between conscious commitment and triggered reflex and resolving the conflict that arises from this creative interplay.
Helen Gifford on Helen Gifford
Compositions by Helen Gifford appear on
Awakening
Marshall McGuire is a formidable asset to Australia’s contemporary music scene, and the only harpist specialising in both baroque harp and all forms of modern music. This Tall Poppies disc remains a catalogue best-seller.