TALL POPPIES RECORDS New and classical music by Australian composers and performers

Belinda Montgomery

Belinda Montgomery is a Sydney-based soprano and early music specialist whose freelance work spans baroque consort programmes, contemporary chamber music and the concert stage.

Belinda Montgomery graduated in 1997 from Sydney University with a Bachelor of Music (Honours) in Voice. She later studied with Emma Kirkby and Evelyn Tubb in England and has since established a freelance career in Sydney, where she is particularly active as an early music specialist.

She has also appeared with the contemporary ensemble Halcyon. As both soloist and chorus member she has performed extensively with Cantillation, directed by Antony Walker, and appears on many of their ABC recordings. She has recorded for radio and on numerous discs, including French baroque programmes with The Marais Project such as Love Reconciled (MCD 424).

Belinda Montgomery appears on

Front cover art for From the Hungry Waiting Country

From the Hungry Waiting Country

Three astounding works by Elliott Gyger are presented by Halcyon, featuring the thrilling voices of Jenny Duck-Chong and Alison Morgan with some of Australia’s best performers. Challenging music that rewards every listen, full of mystery and glistening textures, its narrative holds you to the end.

Performer
Front cover art for The Emerald Leopard

The Emerald Leopard

Josie and the Emeralds pair acclaimed early-music soprano Josie Ryan with some of Australia’s finest viol players, the Emerald City Viols. Founded in 2011, the group is known for sophisticated performances and inventive programmes of Renaissance and contemporary works, including compositions and arrangements by director Brooke Green.

Performer: Soprano Vocals [Guest]

Belinda Montgomery is a member of

Photograph of The Marais Project

The Marais Project

The Marais Project is a celebration of music for the viola da gamba inspired by Marin Marais, the great French virtuoso viola da gamba performer and composer. Formed by Jennifer Eriksson in 2000, the ensemble’s original aim was to perform the complete viola da gamba works of Marais – a monumental task which is more than 85% complete.