TALL POPPIES RECORDS New and classical music by Australian composers and performers

Fiona Ziegler

Fiona Ziegler Fiona began her violin and piano studies at the age of five with her mother, Sydney violinist, Eva Kelly. At the Conservatorium High School she studied violin with Christopher Kimber and Harry Curby, piano with Nancy Salas and cello with Lois Simpson, attending master classes with Valery Klimov, Igor Ozim and the Quartetto Beethoven di Roma.

Fiona is one of Sydney's leading baroque violinists and has performed with Ensemble de la Reine and frequently with her own baroque trio, Concertato. She was a founding member of The Australian Fortepiano Trio and the Trio Pollastri, and has made regular performances with the Renaissance Players, Sydney Chamber Choir, Coro Innominata, the Sydney Soloists and the Australian Brandenburg Orchestra. Fiona has recently extended her musical interests to the mandolin and is a member of the Sydney Mandolin Orchestra. She has been an Assistant Concertmaster of the Sydney Symphony since 1995 and plays on her mother's two-hundred-and-fifty year-old Testore violin.

Performing as Josie and the Emeralds

Josie and the Emeralds is a Sydney early-music ensemble founded in 2011, uniting soprano with viol consort in Renaissance song and new Australian writing for the viol.

Front cover art for The Emerald Leopard

The Emerald Leopard

Josie and the Emeralds pair acclaimed early-music soprano Josie Ryan with some of Australia’s finest viol players, the Emerald City Viols. Founded in 2011, the group is known for sophisticated performances and inventive programmes of Renaissance and contemporary works, including compositions and arrangements by director Brooke Green.

Performer: Viol

Fiona Ziegler is a member of

Photograph of The Marais Project

The Marais Project

The Marais Project is a celebration of music for the viola da gamba inspired by Marin Marais, the great French virtuoso viola da gamba performer and composer. Formed by Jennifer Eriksson in 2000, the ensemble’s original aim was to perform the complete viola da gamba works of Marais – a monumental task which is more than 85% complete.