Keith Humble
Keith Humble won the National Critics Award in 1977 as the most outstanding recitalist working in Australia, and was appointed AM in 1982 for services to music. He was a constant champion of Australian contemporary music and of Percy Grainger.
Keith Humble was born in Geelong, Victoria, in 1927. He began the piano at five and, while still at high school, performed with jazz groups. In 1946 he enrolled at the Melbourne University Conservatorium, studying traditional harmony, composition and counterpoint. An AMEB Commonwealth Scholarship took him to Britain in 1950 for study at the Royal College of Music, London, under Howard Ferguson and Paul Steinitz; he gained his Licentiate Diploma before a further scholarship carried him to Paris and the École Normale de Musique, where he studied piano with Madame Bascourret, Alfred Cortot’s assistant. As a private composition student of René Leibowitz he was introduced to serialism.
In 1964 he undertook a lecture–recital tour of colleges and universities in the USA, and visited Australia briefly to present a composers’ workshop widely regarded as the impetus for the Melbourne Branch of the International Society for Contemporary Music. He returned permanently in 1966 as Senior Lecturer at the Melbourne Conservatorium, where he established the Electronic Music Studio at the Grainger Centre, re-established the Opera School and formed the Society for the Private Performance of New Music.
In 1975 he helped found the Australian Contemporary Music Ensemble (ACME) to promote contemporary music and to encourage and perform the work of young Australian composers. He saw it as a national group presenting the best new music with the best available players; he performed with the ensemble and was musical director until 1978.
In 1977 he won the National Critics Award as the most outstanding recitalist working in Australia; in 1982 he was appointed AM for services to music. On retirement from La Trobe in 1989 he was named emeritus professor. He continued work in America and France, including consultancy on New Music Literacy projects for the European Community, and in Australia served between 1988 and 1995 on Deakin University’s Institute of the Arts board, as music consultant to the Victorian College of the Arts, and on Monash University’s Board of Studies in Music.
Keith Humble died on 23 May 1995.
Compositions by Keith Humble appear on

Recital: Australian Art Song
Merlyn Quaife (soprano) and Michael Kieran Harvey (piano) present a recital of Australian art song spanning the twentieth century, from Percy Grainger and Fritz Hart to Keith Humble and David Horowicz.

Australian Cello
Sydney-based Danish cellist Georg Pedersen’s first solo disc centres on three major Australian works for solo cello by Banks, Kos and Whitehead. The Kos and Whitehead pieces were written especially for him.

Mere Bagatelles
As an overview of Australian composition in the 90s, this CD could not be bettered: a musicianly survey of short piano works, with performances of real authority.

Spinning: New Australian Flute Music
Geoffrey Collins has single-handedly shaped the Australian flute repertoire, and this is his third solo recording. Five of these works were written for him, and they show how freely composers respond to his playing.

A Patchwork of Shadows
In 1994 Ian Munro was one of only two or three major pianists based in Australia. Passionate about the music of his composer peers, he shaped one of the most carefully chosen programmes then available on disc.

Notations
Stephanie McCallum is a Sydney-based pianist who specialises in contemporary music. Her performances bring light and colour to these works. Music by Xenakis and Boulez sits well beside a generation of Australian composers.