A Day in the Life of a Clarinet
Peter Jenkin presents the clarinet in its many modern guises, equally at home with Alban Berg, multi-tracked Bach, klezmer, tango, jazz and electronics.
David Pereira cello
Daniel Herscovitch piano
Lisa Moore piano
Anita Beuthien piano accordion
Roger Dean sampler, piano
Iannis Xenakis composed by
Alban Berg composed by
Luciano Berio composed by
Rik Rue tape
Larry Sitsky composed by
Martin Wesley-Smith composed by
Roger Dean composed by
J.S. Bach composed by
Peter Jenkin arranger
The programme moves from Vella’s flamboyant Tango and Xenakis’s Charisma for clarinet and cello through a multi-tracked Bach ricercar and Berg’s Four Pieces, op. 5.
A traditional bulgar, Berio’s Sequenza IX, and works with sampler or tape by Rue, Dean and Wesley-Smith sit beside Sitsky’s Armenian-inflected Vartarun for solo clarinet.
Reviews
Recently released on the Tall Poppies label, this CD offers an unusual selection of compositions for clarinet.
Tango, composed by Australian Richard Vella for clarinet and piano, is a fun composition. Based on a set of improvisations by Peter Jenkin and the composer. Jenkin ably exhibits the versatility of the clarinet with many contemporary techniques such as glissandi and multiphonics. The composition is very flamboyant in its exploration of the different sound and rhythmic textures of the clarinet.
Charisma by Iannis Xenakis, is another contemporary composition, demonstrating the diverse sound capabilities of both clarinet and cello. The clarinet uses multiphonics and quarter tones, whilst drawing on the extremes of both its registers to complement the cello with its various scraping sounds and double-stopped quarter tones. Particularly effective are the slow glissandi and multiphonics, in creating an eerie sonic soundscape of space age music.
As Homer is quoted in the notes accompanying this CD: "then the soul like smoke moved into the earth, grinding".
Bach’s Ricercare a 6 from Musikalisches Opfer, BWV 1079 is a pleasant contrast to the two previous selections. It is a multitracked recording of six individual clarinets (four Bb and two bass) aimed at creating a polyphonic effect. The blend of sound produced is not unlike a pipe organ.
Alban Berg’s Four Pieces, op. 5 covers a diversity of musical emotions, from wistful and melancholy in the first Piece to frivolous and flighty in the third. The concluding section is almost funereal in its languidness. The Pieces are a showpiece of advances in sound production techniques for the clarinet, characterised by the use of echo tones and flutter tonguing.
Bulgar Freylekhs is a dramatic transition from the contemporarism of Berg into the folk music of Eastern Europe. Accompanied by piano accordion, Jenkin exhibits his versatility with slippery glissandi and a bright and lively tone.
Sequenza IX by Luciano Berio is a solo piece originally written for real time accompaniment by computer. The composition involves repeated melodic figures punctuating moments of silence in an ever increasing quantity of notes and intensity.
From Three Nocturnal Windows, written by Rik Rue for bass clarinet, keyboard sampler, and tape, was especially prepared for this CD from a recorded performance of the complete work.
The composition reflects the musical tapestry of the Australian bush. It opens with a cacophony of sounds of the rainforest – water, birds, insects – permeated by the eerie and ethereal voice of the clarinet to blend with these environmental snippets.
Larry Sitsky’s composition, Vartarun for solo clarinet, is part of a series of works for solo wind and brass instruments, composed in 1984. Written for New Zealand clarinettist Murray Khouri, Vartarun explores various melodic and rhythmical aspects of Armenian folk music. Each movement exemplifies an aspect of the versatility of the clarinet – the change in the tonal characteristics of a note at different volumes; the expressiveness of the instrument with a simple melodic line; and the fluidity of the instrument.
Larry Sitsky is well-known in Australia for his wealth of contemporary compositions, and has been a lecturer at the Canberra School of Music since 1966.
Blues Multiple for clarinet and piano by Roger Dean, is a tuneful blues in D major, exploring both harmonic and rhythmic progressions. The composition includes improvised solos for the clarinet, and most of the piano part is improvised. The composition becomes increasingly complex both rhythmically and harmonically. Roger Dean has composed and recorded numerous works for chamber and improvisation groups.
Australian Martin Wesley-Smith’s For Clarinet and Tape is a refreshing and clever foray into the realms of electronic music. The clarinet blends with its electronic counterpart in an intricate melodic dialogue, which is both entertaining and musically satisfying.
Peter Jenkin has assembled an unusual collection of contemporary works for clarinet on this CD. His performances are masterful and his versatility is entertaining. It is both refreshing and educational to see such a selection, and the variety proffered is guaranteed to appeal to all tastes.
Artist
Peter Jenkin
Peter Jenkin puts the clarinet through its modern paces: multiphonics, quarter-tones, glissandi and multi-tracked polyphony, equally at home in Xenakis and Berio, klezmer freylekhs, tango and electronics.
Tracks
- Tango Richard Vella 2:34
- Charisma Iannis Xenakis 4:28
- Ricercar a 6 from The Musical Offering, BWV 1079 [arr. Peter Jenkin] J.S. Bach Arr: Peter Jenkin 5:54
- i. 1:21
- ii. 2:03
- iii. 1:05
- iv. 3:28
- Bulgar (Traditional) 2:11
- Sequenza IX Luciano Berio 12:31
- From Three Nocturnal Windows Rik Rue 6:21
- i. 1:28
- ii. 2:23
- iii. 1:27
- Blues Multiple Roger Dean 5:58
- For Clarinet & Tape Martin Wesley-Smith 11:09
Four Pieces for Clarinet and Piano, Op. 5 Alban Berg
Vartarun Larry Sitsky
Performers
- Peter Jenkin · clarinet, bass clarinet
- David Pereira · cello · track 2
- Daniel Herscovitch · piano · track 1
- Lisa Moore · piano · tracks 4–7
- Anita Beuthien · piano accordion · track 8
- Roger Dean · sampler, piano · tracks 10 and 14
Composers

Larry Sitsky
Larry Sitsky's activities as a composer, pianist, writer, broadcaster and teacher place him among the foremost ambassadors of contemporary Australian piano music. His work has made a lasting contribution to the Australian musical tradition.
Alban Berg
Alban Berg joined late-Romantic lyricism to twelve-tone method in a small, intense body of work. Operas, chamber scores and songs carry expressionist feeling inside tightly organised forms, from the early Piano Sonata to the Four Pieces for clarinet and piano.
Luciano Berio
Luciano Berio's Sequenze strip solo instruments to their nerves: flute, harp, clarinet and more pushed through extended techniques into speech, breath and pure gesture. His orchestrations and collages treat other music as living material to be rewritten.
Roger Dean
Roger Dean's piano and computer improvisations move from lucid jazz homage to dense electroacoustic layering, often with austraLYSIS. Sensitive touch meets algorithmic process, blue notes and dance rhythms surviving inside radical sound design.
Rik Rue
Rik Rue builds music from tape manipulation, analogue and digital samples, and close field recording. Rockpools and tidal motion become extended soundscapes; elsewhere his electronics lock into dense, interlocking textures with voice, winds and strings.
Richard Vella
Richard Vella writes with a sharp ear for colour and drive. His guitar piece Mirrors of Fire rides a relentless walking bass; the clarinet Tango is flamboyant and free; Memory Pieces let the piano glance back at Czerny, mazurka and cinema.
Martin Wesley-Smith
Martin Wesley-Smith wrote music audiences actually like: electronic pieces that stay human, choral parables that turn nursery rhymes into environmental inquests, and chamber scores laced with Lewis Carroll fantasy and hard political irony.
Iannis Xenakis
Iannis Xenakis writes music of fierce architecture and physical force: piano works that demand absolute mastery, chamber pieces that scrape and glissando into eerie space, and percussion grooves that build from simple cells into relentless drive.
Contributors
Liner Notes
Peter Jenkin
Peter Jenkin puts the clarinet through its modern paces: multiphonics, quarter-tones, glissandi and multi-tracked polyphony, equally at home in Xenakis and Berio, klezmer freylekhs, tango and electronics.
Where to listen
A Day in the Life of a Clarinet is available for streaming through Apple Music. It can also be purchased through the iTunes Music Store.
A Day in the Life of a Clarinet is available as a CD. It can be purchased online through Buywell Music or the Australian Music Centre which both offer online ordering.
Product details
- Catalogue number
- TP086
- Total playing time
- 64 minutes 21 seconds
- Producer
- Belinda Webster
- Credit
- Peter Jenkin
- Release date
- 13 Sep 1996
- Label
- Tall Poppies
- Musical work
copyright - © 1996 Tall Poppies Records
- Sound recording
copyright - ℗ 1996 Tall Poppies Records
- Categories
- Australian Classics, Great Classics, Jazz, Modern Masterpieces
- Genres
- Contemporary Classical, Modernist Classical
- Barcode
- EAN 9399011108623
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