TALL POPPIES RECORDS New and classical music by Australian composers and performers

Moving the Landscapes

austraLYSIS appears in Australia in several guises, united by pianist, bassist and composer Roger Dean. All involve improvisation; this recording presents the acoustic face of the group.

Tony Buck percussion, sampler
Roger Dean piano, sampler, synthesizer
Sandy Evans soprano saxophone, tenor saxophone
austraLYSIS ensemble
austraLYSIS composer

The players are amongst Australia's finest: Roger Dean (piano, sampler, synthesizer), Sandy Evans (soprano and tenor saxophones), and Tony Buck (percussion, sampler). The tracks were recorded in 1991 at 2MBS-FM Studio C in Sydney and at ABC studios.

The eight pieces explore free and structured improvisation across acoustic and electronic colour, moving from spare inward passages to tightly driven ensemble work.

Reviews

Moving the Landscapes settles into a continuous exploration of styles and sonorities in which Roger Dean's sensitive keyboard playing shines and Sandy Evans' sax playing...is extremely expressive, almost vocal.

The minds of three musicians experienced in this kind of music making...gives confidence and daring to self-expression.

Track after track here commands our attention, not just with the drama of what austraLYSIS can do but with the variety of means, instrumentally and rhythmically, and the degree of emotion they are prepared to risk. What I liked best of all was the inwardness these performers develop, the sense we get of their moving off alone, without compromising the drama of interplay; most of all, without ever releasing tension. This is improvisation that offers increased pleasure at every hearing.

The tour de force of the album is Hardly Moving, from all points of view: formal structure, instrumental virtuosity (from all three performers), choice and blend of acoustic and electronic sound sources, the consistently sustained musical process of stretching from one musical style through others and back to the original, the tight ensemble playing and group improvisation, musical vigour and energy, and finally, the execution of sound engineering/mixing which is always fully supportive of all the elements in the piece.

The style, tempo and general character of the pieces vary greatly but tend towards the accents and phrasing of jazz when the propulsion of the music is strongly marked. The disc is often inviting in its material and vividly recorded.

For the TRULY adventurous.

Artist

No photograph: austraLYSIS

austraLYSIS

austraLYSIS works across acoustic free improvisation and live computer interaction, pitting saxophones, piano and percussion against electronics in music that holds tension, risks emotion and never settles into one style.

Tracks

  1. Dye Pulse austraLYSIS 6:15
  2. Pinnacles austraLYSIS 9:58
  3. Even Suite Time Varies austraLYSIS 8:23
  4. Moving the Landscape austraLYSIS 9:07
  5. Hardly Moving austraLYSIS 11:17
  6. ReEl Choice austraLYSIS 11:25
  7. Alela austraLYSIS 10:06
  8. Drums Are-ticulate austraLYSIS 7:14

Performers

Where to listen

Moving the Landscapes is available for streaming through Apple Music. It can also be purchased through the iTunes Music Store.

Moving the Landscapes is available as a CD. It can be purchased online through Buywell Music or the Australian Music Centre which both offer online ordering.

Product details

Catalogue number
TP007
Total playing time
73 minutes 45 seconds
Release date
Label
Tall Poppies
Musical work
copyright
© 1992 Tall Poppies Records
Sound recording
copyright
℗ 1992 Tall Poppies Records
Categories
Improvisation, Jazz
Genres
Jazz & Improvised, Experimental
Barcode
EAN 9399000000723

Related recordings

Front cover art for History Goes Everywhere

History Goes Everywhere

austraLYSIS Electroband occupies a special place in Australian music. Formed in 1990 by Roger Dean, this trio has carved out a unique territory, pitting acoustic instruments against computer-generated material in live performance.

Front cover art for Sonic Stones

Sonic Stones

Sonic Stones presents two sides of austraLYSIS’s computer-mediated practice. PianoStones is a fully composed digital work that transforms natural stone sounds and pre-recorded piano by Dean into a continuous sonic field.

Front cover art for Acouslytic

Acouslytic

Acousmatic and electroacoustic works from Roger Dean and Hazel Smith with austraLYSIS. Dean's music and Smith's words form a distinctive soundworld that challenges, inspires and intrigues.

Front cover art for Present Tense

Present Tense

An unusual release of music improvised live with computer-generated improvisations. Sandy Evans is astonishing here. Roger Dean has provided most of the germinal material.

Front cover art for The Next Room

The Next Room

An unusual two-CD set of free improvisation: each disc holds one continuous hour-long piece. Tony Buck, Roger Dean and Sandy Evans are sharply different musical personalities, yet the long-form dialogues hold together.

Front cover art for Windows in Time

Windows in Time

austraLYSIS is the brainchild of Roger Dean, and exists in several incarnations, including a live electronics band. Here they are in their standard chamber music format and have chosen a programme in which the linchpins are Xenakis and the music of New Zealand composer Lyell Cresswell.