TALL POPPIES RECORDS New and classical music by Australian composers and performers

In Memoriam

Roger Smalley AM (1943–2015) shaped contemporary composition in Australia. This project grew from his dual gift as a virtuoso pianist and as a composer of visceral solo piano music.

Adam Pinto piano
Roger Smalley composer
Lydia Gardiner composer
Rebecca Erin Smith composer
Stuart James composer
Katherine Potter composer

A formidable pianist, Smalley had studied with Stockhausen, given British premiere performances of several of his Klavierstücke and, in the contemporary performance group Intermodulation, was the first to combine live electronics with transcendental pianism to extend the sonic possibilities of the instrument.

He brought that immersion in the European experimental scene to Perth, together with an appetite for new technologies and for the colours of instruments such as the Australian-made Stuart & Sons piano. This recording follows the same impulse. It presents the first recording of Smalley’s Three Studies in Black and White on that instrument.

Around that centrepiece, newly commissioned works by Lydia Gardiner, Rebecca Erin Smith and Katherine Potter unfold as a collaboration between composer, performer and piano.

Artist

No photograph: Adam Pinto

Adam Pinto

Adam Pinto brings fierce rhythmic precision and a taste for extended sonority to contemporary piano music, from ring-modulated modernism to cross-genre chamber works shaped in Western Australia.

Tracks

Roger Smalley — 3 Studies in Black and White
Lydia Gardiner — 5 Stages of Grief
Rebecca Erin Smith — She Falls In
Stuart James — Negative Tendencies
Katherine Potter — Respired

Performer

Composers

Photograph of Roger Smalley

Roger Smalley

Roger Smalley AM (1943–2015) was an English-born composer and pianist who made Australia his home from the mid 1970s. Composition and a distinguished life at the keyboard ran together throughout his career.

No photograph: Stuart James

Stuart James

Stuart James is an Australian composer and recording engineer whose work pairs acoustic instruments with electronics and processing. His music often turns on texture, timbre and the shaping of time.

No photograph: Rebecca Erin Smith

Rebecca Erin Smith

Rebecca Erin Smith is an award winning Australian composer who specialises in collaborative media and concert works. She works primarily with orchestra and large ensembles of acoustic instruments (at times electronically manipulated and set alight with found sounds) and the human voice, exploiting its full spectrum of sound from speech to song.

Where to listen

In Memoriam is available as a CD. It can be purchased online through Buywell Music or the Australian Music Centre which both offer online ordering.

Product details

Catalogue number
TP272
Label
Tall Poppies
Genre
Contemporary Classical

Related recordings

Front cover art for Transformation: Music for Percussion, Piano and Electronics

Transformation: Music for Percussion, Piano and Electronics

Roger Smalley was one of Australia’s most respected composers. He eschewed popular styles and left an oeuvre that is both thrilling and challenging, always at the highest musical level.

Front cover art for Home by Eleven

Home by Eleven

Mix't Trio’s debut gathers all-Australian cross-genre chamber works that braid classical, Latin, African and jazz colours, with Paul Tanner on percussion, Adam Pinto on piano and Matt Styles on saxophones.

Front cover art for Music for Percussion and Electronics

Music for Percussion and Electronics

Western Australian percussionist Louise Devenish, known for work with Decibel, Speak Percussion and The Sound Collectors, recorded this programme from her Music for One Percussionist recitals (2012–14). The composers are award-winning middle-generation Australians whose music is heard nationwide.

Front cover art for The Metallic Violins

The Metallic Violins

This CD is crammed with world premiere performances and scintillating playing. These two violinists inspired wonderful new works by Australian composers, yielding the first recording of Australian music for two violins, from Hindson’s raunchy title piece to Finsterer’s dreamy Spherica I.

Front cover art for Electric Cello

Electric Cello

David Pereira plays solo Australian cello works, each scored for cello with pre-recorded tape or delay. The Wesley-Smith and Ford pieces are world premiere recordings.

Front cover art for An Australian Collection

An Australian Collection

Nineteen tracks drawn from the Tall Poppies catalogue, chosen to show the range and depth of Australian composition and performance across the label’s first decade.